Imtiaz Ali’s Straight Talk: No Jab We Met 2 or Tamanga 2 on the Horizon

A viral video shows fans climbing escalator railings and breaking barricades to catch a glimpse of Akshay Kumar during a promotional event in Noida.

In a series of behind‑the‑scenes exchanges, Tehran’s advance teams have warned the United States that any progress on Iran’s uranium enrichment programme will depend on solid security guarantees for Lebanon. The United States, together with Lebanese officials, has responded cautiously, promising to do their best while acknowledging the complexity of the issue. Meanwhile, Pakistan’s military chief General Asim Munir and Prime Minister Shehbaz Sharif are hoping for at least a modest breakthrough, seeing the presence of United States Vice President JD Vance and Iranian Parliament Speaker Mohammad Bagher Ghalibaf as a positive sign. Despite these hopeful signals, deep mistrust continues to linger, with Iran asserting it can still ‘teach the United States a lesson’ if its demands are not met, and the United States aiming to end the conflict for both strategic and domestic reasons. Indian intelligence analysts note that this bargaining process has become a delicate mix of military leverage, regional power‑plays, and diplomatic maneuvering, with Pakistan positioning itself as a visible mediator. The outcome is likely to be an interim ceasefire extension rather than a comprehensive settlement, but the coming days will reveal whether even a limited agreement can be achieved.

Japanese walking, a practice rooted in mindful posture and efficient movement, is rapidly catching the attention of fitness enthusiasts worldwide. Unlike typical strolls, this form of walking emphasizes a straight spine, a slight forward tilt, and a rhythmic arm swing, turning a simple daily habit into a low‑impact yet high‑intensity workout. The technique, popularised through online videos and community groups, promises benefits ranging from better cardiovascular health to improved balance and mental clarity. In many Indian cities, people are swapping their regular evening walks for this disciplined yet gentle routine, finding that it not only burns calories but also reduces joint strain, making it suitable for all ages. The trend is also influencing gyms, yoga studios, and corporate wellness programmes, where trainers incorporate Japanese walking drills to complement strength and flexibility sessions. This article shares a personal journey of discovering the practice, explains its core mechanics, and offers practical tips on how anyone can adopt it into their daily schedule, all while keeping the conversation informal and relatable for Indian readers.

A film leak is not just an isolated act of piracy; it sends shockwaves across the entire ecosystem that brings a movie to life. From Thalapathy Vijay’s latest project Jana Nayagan to earlier leaks of Udta Punjab and Radhe, the illegal distribution of unfinished or cam‑recorded copies affects everyone – the actors who have poured heart into their roles, the technicians who spent long nights perfecting each frame, the marketers who crafted the buzz, and the countless support staff who rely on a film’s success for their livelihood. When such a leak occurs, the immediate financial loss is evident as audiences opt for a free, low‑quality version instead of buying tickets or streaming legally. Yet the impact runs deeper: the excitement that draws crowds to theatres is crushed, the reputation of a film can be tarnished by poor‑quality uploads, and jobs in the industry face uncertainty as producers become wary of investing further. Trade analyst Taran Adarsh has repeatedly warned that piracy “kills the industry,” a sentiment echoed by South film industry stars who have united to condemn these disrespectful acts. This article explores, in a conversational and personal style, how a single leak can affect thousands of workers, the cinema‑going experience, and the overall value of a film, drawing upon real examples and everyday observations from the Indian entertainment landscape.

A 29‑year‑old man from Dehradun’s Prem Nagar neighbourhood was taken into custody by the Uttarakhand Special Task Force on suspicions of espionage for a Pakistan‑linked handler. According to police, he had been feeding location details, photographs and even videos of key defence and government installations – like the police headquarters and the city’s inter‑state bus terminus – to operatives believed to be connected to the ISI. The investigation also uncovered a .32‑bore pistol, live cartridges and a spray‑paint can, suggesting plans to vandalise and possibly bomb the sites. During questioning, the accused revealed that his motive stemmed from being a fan of the late Punjabi singer Sidhu Moosewala and a desire to avenge his killing. In parallel, two suspects were arrested in Uttar Pradesh’s Bijnor district for alleged links to a Pakistan‑based handler residing in Dubai, with authorities probing online radicalisation activities. The case has prompted a fresh look at earlier investigations that had dismissed similar accusations, leading to the suspension of several police officials. This article recounts the developments in a conversational, first‑person style, reflecting on how such events feel on the ground.

In a candid Zoom conversation while promoting his new venture Dacoit, veteran filmmaker Anurag Kashyap opened up about a long‑standing bias in the Indian film industry. According to Anurag Kashyap, many of his peers applaud movies only after they become box‑office hits, leaving genuine appreciation for craft and storytelling scarce. He explained that his habit of publicly praising films he enjoys often goes unrewarded, and that this lack of reciprocity is now a common experience for many in Bollywood. Joined by actress Mrunal Thakur, Anurag Kashyap highlighted that sincere commendation is a rarity, and that most accolades are driven by commercial success. The conversation also touched upon Anurag Kashyap’s recent social media endorsements, such as his glowing note on Subedaar starring Anil Kapoor, and his admiration for Ranveer Singh’s dedication in Lootera, where Ranveer Singh went to the extent of injuring himself for authenticity. Further, Anurag Kashyap discussed the release of Dacoit, a bilingual Telugu‑Hindi drama directed by debutant Shaneil Deo, featuring Adivi Sesh and marking Anurag Kashyap’s first foray into Telugu cinema. The film received mixed reviews and a modest box‑office opening, underscoring the very point Anurag Kashyap made about success dictating praise. This piece delves deep into the nuances of Anurag Kashyap’s observations, his personal experiences, and what his stance might signal for the future of appreciation in Bollywood.