What’s the fuss about?
Okay, so you know how Dhurandhar 2 has been smashing records ever since it hit the screens? I’ve been hearing it from every corner of the city – from the tea stall at my apartment block to the chai‑wala on the highway. Everyone’s talking about how the film is ‘unstoppable’, and I must admit, the hype is real. But amidst all the fan chants and social media memes, there’s a piece of news that’s been making the rounds – Trimurti Films has taken legal action against B62 Studios, the production house owned by Aditya Dhar.
In simple terms, Trimurti Films says that a song we all love – “Oye Oye” – was used in Dhurandhar 2 without any permission. It sounds like a typical Bollywood drama, but this time it’s happening out of the cameras, right in the courtrooms.
Where does “Oye Oye” come from?
If you grew up listening to Hindi retro music, “Oye Oye” probably rings a bell. The track was first heard in Rajiv Rai’s 1989 action‑packed movie Tridev, a film that still gets quoted in memes about justice and revenge. The music was a collaboration between two legends: Kalyanji‑Anandji, who were already household names, and Viju Shah, their talented son. The words were penned by the poetic maestro Anand Bakshi, and the soulful voices that brought it to life were Amit Kumar and Saapna Mukherjee.
Fast forward three decades, and the tune has been remixed, re‑used and even hummed in local gatherings. That’s why, when it appeared in Dhurandhar 2, a lot of us immediately recognised it. The problem, according to Trimurti Films, is that B62 Studios didn’t obtain the proper licences or permissions to feature the song, or a version that’s substantially similar.
How the legal battle is shaping up
The news first broke on Bar and Bench, a site that tracks entertainment law in India. Their report says Trimurti Films has officially filed a suit, alleging copyright infringement. The crux of the complaint is that “Oye Oye” – or a close copy of it – was dropped into Dhurandhar 2 without the required legal clearances.
Now, I’m no lawyer, but from what I understand, the Indian Copyright Act protects both the composition (the music) and the lyrics, and you need a licence from the rights holder for each usage. If Trimurti Films owns those rights, they are within their rights to demand compensation or even a ban on the song’s use.
At the moment, Aditya Dhar and B62 Studios have been pretty quiet. No official statement on Twitter, no Instagram post, not even a story from the director’s personal handle. That silence could mean a few things – maybe they are negotiating behind the scenes, or perhaps they’re waiting for the legal process to settle before replying. Either way, the silence has left fans guessing and the media feeding the speculation.
What the fans are saying
There were even a few jokes about the “Oye Oye” tune being the secret weapon that made Dhurandhar 2 a hit. One meme showed Ranveer Singh with a caption, “When you hear Oye Oye in a courtroom, you know it’s a blockbuster.” It’s funny how quickly people turn a serious legal issue into light‑hearted banter – that’s the Indian internet for you.
The star‑studded cast and why they matter
One thing that makes this saga even more interesting is the sheer size of the cast. Dhurandhar 2 stars Ranveer Singh, Rakesh Bedi, Arjun Rampal, Sara Arjun, Sanjay Dutt, R Madhavan, Danish Pandor, and Gaurav Gera. Imagine a set where you have Ranveer doing his high‑energy dance, Sanjay Dutt delivering his iconic baritone, and R Madhavan pulling off quiet, intense scenes – it’s a cocktail of talent.
The ensemble has been constantly praised by critics and audiences alike. In most cases, the chemistry between Ranveer and Sanjay Dutt has been highlighted as one of the film’s biggest strengths. Even my neighbour, who works at a call centre, insists that he watches the film twice a week just to see the action sequences.
Because the cast is so popular, the legal issue now reaches far beyond the film itself – it touches the reputations of all these stars. While most of them haven’t spoken out, a few have simply shared promotional posters or liked posts that celebrate the film’s success. It’s as if they are letting their work speak for itself, hoping the controversy won’t affect the hard‑earned goodwill of the movie.
Celebrities and their love‑letter to Dhurandhar 2
From the moment Dhurandhar 2 hit theatres, celebrities started a virtual parade of praise. Anushka Sharma posted a short video saying, “Ranveer’s energy is off the charts, love the vibe!” Virat Kohli, the cricket legend, tweeted a selfie with the movie’s poster and wrote, “Mast film, full paisa vasool!” Even South Indian superstars like Rajinikanth and Mahesh Babu dropped words of appreciation, which is a big deal because they rarely comment on Bollywood releases.
Director S. S. Rajamouli, known for his epic fantasy sagas, remarked that Dhurandhar 2 has “set a new benchmark for action comedies”. Alia Bhatt and Karan Johar shared Instagram stories with the film’s trailer, creating a ripple effect that brought the film to the attention of audiences who might not typically watch a Hindi action‑comedy.
This cascade of support has kept the film’s buzz alive, even as the legal case looms. In everyday conversations, you’ll hear people saying, “Did you see what Rajinikanth said about Dhurandhar 2? Even he liked it!” It’s like a chain reaction of endorsements that fuels more people to buy tickets.
The box‑office numbers – are they really unstoppable?
When we say the film has an “unstoppable run”, we’re not just being dramatic. The film opened with a massive opening‑day collection, and the numbers have held steady for weeks. In many towns, the auditorium queues stretch far beyond the theatre’s entrance, especially on weekends. My cousin, who works at a multiplex in Pune, told me the theatre was sold‑out for three consecutive shows on Saturday night.
Even with the lawsuit, the audience turnout hasn’t dipped. In most cases, controversies actually draw more attention. Think about it – when a film is mentioned in a legal context, it becomes a talking point on news channels, radio stations, and even local tea‑stall discussions. That extra buzz translates into more curious viewers buying a ticket just to see what the fuss is about.
So far, the film’s earnings are still climbing, and it has crossed several milestones that many movies only dream of. The producers have been quick to celebrate each milestone on social media, often posting pictures of the cast holding the latest collection figure – a visual reminder that the film is still very much a commercial success.
Potential outcomes and what they could mean
If the court rules in favour of Trimurti Films, B62 Studios might have to pay damages or even remove the song from future screenings. That could involve editing the film’s final cut, which would be a massive logistical task – think about re‑uploading the movie on streaming platforms, re‑cutting DVDs, and so on.
On the other hand, if B62 Studios can prove that they had a valid licence or that the version used is sufficiently different, the case could be dismissed. In many similar cases, the settlements are reached out of court, with the production house paying a royalty fee to the rights holder. This would allow the movie to continue its run without any interruptions.
Whatever the outcome, it’s a reminder that even big‑budget films need to double‑check the legal clearances for every song, especially when dealing with classics that have a massive fan following. A small oversight can turn into a headline that dominates news cycles for weeks.
How I see it – a personal take
Honestly, I felt a tug of mixed emotions when I first read about the lawsuit. On one side, I’m a massive fan of Dhurandhar 2 and loved the way the “Oye Oye” beat pumped up the action scenes. On the other side, I understand why Trimurti Films is protecting their intellectual property – after all, the music industry in India has struggled with piracy and unauthorized usage for a long time.
I remember listening to “Oye Oye” on my cassette player back in the early 2000s, and the first time I heard it in a modern film, it felt like the old and new were dancing together. If the filmmakers wanted to pay homage, they should have done it the right way – get the licence, credit the original creators, perhaps even bring Amit Kumar or Saapna Mukherjee on board for a fresh recording.
But I also think that the film’s success showcases how nostalgic music can still resonate with today’s audiences. The blend of classic tunes with contemporary storytelling is a formula that works, as long as the legal side is respected.
At the end of the day, I’ll keep watching Dhurandhar 2, enjoy the high‑octane sequences, and hope the dispute settles soon. It’s a reminder that behind every blockbuster, there are many layers – creative, commercial, and legal – all working together. And for us – the movie‑goers – the best we can do is keep cheering for the talent while respecting the art that makes it possible.
